TETI is particularly interested in the experience and representation of changing urban environments within the historical transitional period associated with trans-industriality. First, how do bodies experience the architectures, the sounds, the visual stimulation of the city, and how do people position themselves with regard to the specific modifications it witnessed in the recent past (a broader enquiry would look at how this specific experience might compare with important past evolutions in the urban and the technological field). Second, how are these changes mediated by artistic creations? This axis aims to look at a range of artistic genres, ranging from the visual arts to theatre, poetry and literature, and to analyse the modes through which art works envision the urban developments and how they affect the cities’ inhabitants. Furthermore, it aims to assess as well as contribute to the capacity of such visions to alter and negotiate the construction of our urban present and futures.

'In contact with the wild': artist Michael Günzburger in conversation with Gabriel Gee, June 2018, at Corner College, Zurich, held as part of the exhibition 'Hinterland: blood as a rover', and revolving around the publication of the book Contact, by Michael Günzburger and Lukas Bärfuss, at Patrick Frey Press.

Introduction to 'Contact'

2 Hunting Gathering 

3 To print a bear

4 Wolf

5 Contemporary bestiary 

 Entry 10 01.05.2017

Roll On Roll Off: artist Marie Reinert evokes maritimes spaces and fluxes, gestures and labor in a discussion with Gabriel Gee (French)

Entry 9 01.07.2016

Made in Taiwan: Yang Mao Lin in conversation with Gabriel Gee

Entry 8, 16.12.2015

Cliona Harmey responds to Gabriel Gee; discussing her 2015 project Dublin Ships

Entry 7 24.04.2015

Conor McFeely responds to Gabriel Gee, discussing his recent project entitled The prisoners' cinema (2014-15)

Entry 6 24.04.2015

Andreas Marti responds to Gabriel Gee on his recent pieces: We Were Here (2014-15)

Entry 5 24.11.2014

Conor McFeely responds to Gabriel Gee on the topic of Elizabethan Collars

Entry n.4 01.04.2013

Liquid, Measure and History: Notes on Conor McFeely's Weathermen A text to accompany the exhibition of the work of Derry based artist Conor McFeely at the Golden Thread Gallery, Belfast, in April 2013.

Entry n.3 04.05.2012

Mapping Baybrook, an interview of Professors Steve Bradley and Nicole King by Michelle Stefano. "From community building to chemical dumping, the industrial urban landscape holds stories of the wonders and the horrors of the history of the United States of America. “Mapping Baybrook” is a collaborative and interdisciplinary exploration of place that blends digital mapping technologies with research into the history and culture of an industrial community in Maryland referred to as Baybrook—a merging of the names of two neighborhoods Brooklyn and Curtis Bay. This community is a mix of diverse but connected neighborhoods located along the southeast coastline of Baltimore City"

Entry n.2 04.05.2012

Architecture 5, by Paul Pouvreau, With a commentary by Gabriel Gee.

Entry n.1 20.07.2011

The Volunteer's fresco is a project by Vincent Fradet for the square Charles Floquet in Rueil-Malmaison, France. With a commentary by Gabriel Gee