In conversation with Ahmad Fuad Osman: an interview held in the artist's studio in Kuala Lumpur in April 2019, in which Ahmad talks about his Enrique de Malacca Memorial project, revisiting the history of the eponymous sailor who joined Magellan's ship; the memorial explores through a range of mediums the practice of history, together with Southeast Asian and global maritime imaginaries.

In conversation with Chang Chih-Chung: an interview held in Kaohsiung harbor in March 2019. Artist Chang Chih-Chung talks about his research and engagement with the history of the Taiwanese port.

In conversation with Wu Mali: an interview held in Singapore in the summer of 2018. Taiwanese Artist Wu Mali talks about her research and engagement with the history of Taiwan at the crossroads of political and cultural transformations.

In conversation with John Low, March 22, 2019. The Singaporean artist John Low talks to Gabriel Gee about his artistic practice and research on the legacies of Chinese Ink Painting in Singapore and South East Asia, characterised by a  deep interlacing of aesthetics with historical heritage and socio-political forces, shaped by the maritime migrations of the turbulent 20th century.

'Sand, radar, spectres and garden cities: artists Cliona Harmey & Monica Ursina Jäger in conversation with Gabriel Gee, 26th of May 2018, at Corner College, held as part of the exhibition 'Hinterland: blood as a rover'. 

'In contact with the wildartist Michael Günzburger in conversation with Gabriel Gee, June 2018, at Corner College, Zurich, held as part of the exhibition 'Hinterland: blood as a rover', and revolving around the publication of the book Contact, by Michael Günzburger and Lukas Bärfuss, at Patrick Frey Press.

Seen Unseen: In conversation with Salvatore Vitale, 11.05.2018. In the following discussion which took place at Corner College, Zurich, as part of the exhibition Hinterland: the eyes of the lighthouse, the photographer Salvatore Vitale (IT. l.Lugano) talks to Gabriel Gee and curator Lars Willumeit about his series on the return of the wolf in Switzerland and his ongoing research into borders, control and identity in Switzerland.

Roll On Roll Off: artist Marie Reinert evokes maritimes spaces and fluxes, gestures and labor in a discussion with Gabriel Gee (French, 2017)

Made in Taiwan: Yang Mao Lin in conversation with Gabriel Gee 08.04.2016

Cliona Harmey responds to Gabriel Gee; discussing her 2015 project Dublin Ships

Conor McFeely responds to Gabriel Gee, discussing his recent project entitled The prisoners' cinema (2014-15)

Andreas Marti responds to Gabriel Gee on his recent pieces: We Were Here (2014-15)

Conor McFeely responds to Gabriel Gee on the topic of Elizabethan Collars

Liquid, Measure and History: Notes on Conor McFeely's Weathermen A text to accompany the exhibition of the work of Derry based artist Conor McFeely at the Golden Thread Gallery, Belfast, in April 2013.

Mapping Baybrook, an interview of Professors Steve Bradley and Nicole King by Michelle Stefano. "From community building to chemical dumping, the industrial urban landscape holds stories of the wonders and the horrors of the history of the United States of America. “Mapping Baybrook” is a collaborative and interdisciplinary exploration of place that blends digital mapping technologies with research into the history and culture of an industrial community in Maryland referred to as Baybrook—a merging of the names of two neighborhoods Brooklyn and Curtis Bay. This community is a mix of diverse but connected neighborhoods located along the southeast coastline of Baltimore City" (2012)